AUBIN, ART, &
the ARCHIVE
Living at the intersection of creating culture-defining art and preserving our most treasured archives, is the work and mission of Aubin Pictures. 

This Pride Month, during Aubin's 30th anniversary, we cherish our intersections, and seek to strengthen our community's multi-faceted relationship with Aubin, art, and the archive.
AND AGAIN I DREAM | Atlanta Film Festival
"What Happens to Documentary Subjects After the Shoot?" panel
"All of Ivy's friends and family had different ideas of her as a person that only came together after talking with each other and learning from her archive.

And that is something special that can only happen after you've died."

- Mariah Norman
"Censorship and erasure is what happens when we don't honor and remember ourselves." 

- Mariah Norman at the Women of Distinction documentary shorts block


Mariah Norman at Atlanta Film Festival 2026
Mariah speaking on their experience finding community, identity, and guidance through Ivy Joan Young's archive.
Where to Watch During Pride Month
DC/DOX

Roxbury International Film Festival

Woods Hole Film Festival

ELISSA BLOUNT MOORHEAD & 
MARILYN NANCE in Conversation | Art Matters
In collaboration with Art Matters Foundation, Aubin hosted a conversation between Elissa Blount Moorhead and Marilyn Nance, two artists who traverse the intersections of memory, record-keeping, and Black diasporic history through archive.

This conversation brought Nance and Blount Moorhead together as friends and collaborators reflecting on methods and strategies for resisting erasure and honoring Black presence in everyday life.

Elissa Blount Moorhead and Marilyn Nance: In Conversation

Nominate A TOUCH OF GREATNESS
for the National Film Registry


We're encouraging our Aubin family to nominate our 2004, Emmy-nominated documentary A TOUCH OF GREATNESS, directed by Leslie Sullivan and produced by Catherine Gund, for the Library of Congress's National Film Registry.

This legacy film about educational visionary Albert Cullum, featuring stunning 16mm footage by Robert Downey Sr., is a piece that deserves national recognition and preservation for its contribution to American film history.
Watch the Film

Check out USA Today's remarkable review of the film. 
The paper's verdict was simple and incendiary:

"If I were secretary of education... I'd simply log onto Amazon.com, order 3.5 million copies of the new documentary A Touch of Greatness and send them to every teacher, principal and PTA president in the United States. If that didn't do the trick, I don't know what would."

Three and a half million copies. Every classroom in America. That's not a review. That's a prescription! 
Read the USA Today Editorial

The National Film Registry selects only 25 films a year, so every one of your votes counts.

Help us conserve a film about the past's positive impact on the present and future. 
Nominate
You do not need to fill out all 50 film slots to submit your nomination.

Why the National Film Registry?
The National Film Registry has selected up to 25 films for preservation every year since 1988, each selected for its cultural, historical and aesthetic contributions to American Film History. The films added to the registry are preserved by the Library of Congress and ensured public access through screening at the Library or in the National Screening Room.
About the Film
A TOUCH OF GREATNESS (2004) is a bolt of lightning disguised as a documentary. Director Leslie Sullivan and producer Catherine Gund train their lens on Albert Cullum, a force-of-nature elementary school teacher who blew the roof off Rye, New York public schools by handing Shakespeare, Sophocles, and Whitman directly to seven-year-olds and compelling them to feel it.

The film's secret weapon is its ravishing, grain-soaked 16mm black-and-white film shot in 1964 by the legendary Robert Downey Sr.; images so alive and strange they feel like they were smuggled out of another dimension. Children declaiming, performing, weeping, laughing. A classroom that looks like a theater, a church, a fever dream.

Woven through the archival material are TV broadcast fragments from the era and deeply emotional contemporary interviews with Cullum himself and the now-grown, devoted students (and some of their parents!) whose lives he permanently altered. Together they make the case that one radical, wildly imaginative teacher is an act of historical consequence.
This is what education looks like when someone refuses to be ordinary.

Independent Lens broadcast A TOUCH OF GREATNESS to thunderous acclaim, earning the film an Emmy nomination for Best Documentary and cementing its place in the conversation about what American education could be, if we only could imagine.
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New York, NY 10012
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